Tag Archives: quilts

In Stitches

Standard

Mama, The Aunts and the fabric of memory

I’ve been missing Mama and The Aunts a lot lately.  Mama’s birthday was July 4, and the second anniversary of Aunt Ruby’s passing is coming up on August 12, so I guess those are a couple of reasons they’ve been on my mind.  While I was blessed to know all of Mama’s sisters well, when I refer to The Aunts, it’s Aunt Ruby and Aunt Martha I am thinking of.

They were the ones who sewed quilts together with Mama, along with Ruby Allred, our next-door neighbor on Ford Street.  I and many of my family members possess these works of art and craft, some stored away in cedar chests while others decorate our beds and couches.  Their colors and patterns brighten our lives and homes with warmth, both physical and spiritual.

It is fairly easy to determine the age or era of our family quilts by the fabrics used to make them.  Lots of the older ones contain material from many of Granny’s old dresses, and they are backed with a type of cotton fabric that Mama and The Aunts called “domestic”.  It was basically a coarse cotton muslin near as I can tell.  Later quilts were backed with king-size bed sheets.  They provided a good expanse of seamless fabric and were smoother than domestic.  I think that domestic had become more costly as well, which may have contributed to the switch.  Some of the later quilts also had lighter-weight batting inside between the patterned top and the plain backing.  These lighter quilts are perfect for use in warmer weather.

The older quilts backed with domestic seemed to pucker up more after laundering, especially if the batting was also all-cotton.  I love that almost seersucker-y texture of an old quilt, as well as the weight and substance of it.  I love the contrast of white stitching against solid-colored fabric.  Mama and The Aunts and “Mamaw” Allred sewed with such precision!  They made such teeny-tiny, evenly-spaced stitches, as Aunt Martha would say, “Ever’ stitch a stitch of love.”

image

image

Nowadays quilts are available in many stores, mass-produced, machine-made items, often designed to look like their older, handcrafted counterparts.  And many of them are good quality and beautiful.  I’ve actually bought some retail quilts over the years.  But even the nicest ones can’t rival the quilts made by Mama and The Aunts and “Mamaw” Allred.  The hours spent choosing the fabrics, cutting and marking, and the late nights sitting around the frames as their thimbled fingers sewed—no amount of money can buy the love they left behind, in stitches.

image

Tattered

Standard

Why some things can never be discarded…

There is a quilt in my house that is tattered.  I don’t mean a little bit worn; I mean literally falling apart.  Yet I cannot bring myself to part with it.  And I can’t quite explain my attachment to it.  I just know I can’t throw it out.

Its history is something of a mystery.  I don’t know which side of my family it came from.  All I know is that it’s been in the family forever, and it shows every mark of its past.  Much of the fabric is disintegrating, with the cotton batting underneath exposed.

image

image

It is beyond ragged.  Yet, as pitiful as it looks, it is also the softest quilt in the house.  It seems as though it always was the softest one, even when it lived in Mama’s house.  I will never forget the Christmas break I came home from college with a mouth full of ulcers and a torn-up stomach from the stress of exams, sick and exhausted.  I piled myself on the couch in the den downstairs under this ancient quilt, burrowing down into its softness, taking respite in the simple comfort of being home where my Mama could take care of me.

I guess maybe that’s why I can’t let it go, even though it is coming apart at the seams (and everywhere else!).  It is, among other things, a reminder of Mama’s comforting care and the many times she held me and tucked me into the comfort of that ratty old quilt when I was cold or sick or exhausted.

I miss her every day.  But the ratty, tattered quilt lives in my house to remind me of her care.  I am almost afraid to use it now, for fear that it will come completely apart.

I think, though, that it needs to live out the remainder of its life on my couch, with me burrowed into its ancient softness, remembering Mama and feeling her loving touch once more.  Maybe it will be buried in the casket with me when I die.

Somehow I think Mama would like that.

image

Cinco De Martha

Standard

Because I had many mothers…

Last week’s calendar contained both Cinco De Mayo and Mother’s Day, which got me thinking about the many women in my life who mothered me in addition to my own Mama.  Because Cinco De Mayo/May 5 was also Aunt Martha’s birthday, I naturally had her on my mind.  She would have been 87 years old.

In describing Mama I have always said that if she were a color, it would be red because of her fiery and passionate nature.  I also noted that all of Mama’s sisters, in my mind, have a color of their own.  Aunt Martha, to me, is purple…regal, unconventional, stand-out-in-a-crowd purple.  Like Mama and the rest of The Big Five, Aunt Martha was a true original, and in many ways unlike her sisters.  But she and Mama were very much alike in their big-hearted, laugh-till-they-peed-their-pants humor and personalities.

Aunt Martha never had human children, choosing instead to be a dog mom.  I have followed in this path, and I think that being around her and her little canine companions so much as a child shaped the love of dogs I developed over the years.  The first of Aunt Martha’s dogs (or anyone else’s dogs for that matter) in my memory is Susie, a Chihuahua, the breed that Aunt Martha and Uncle John always favored.  She was a tiny little thing, even though she was overfed, and because her bones were fragile, Aunt Martha was forever reminding Reed and me, “Don’t run the dog,” meaning not to chase her.

Image

When Sweet Pea and I were finally able to adopt a dog, we chose a Beagle/Basset mix from the shelter.  Ernie The Wonder Beagle was not a huge dog, but he was larger than Aunt Martha was accustomed to.  She asked me once, “Ain’t his teeth awful big?”, to which I responded, “Well, they fit in his mouth so they must be the right size.”  She and Ernie would see each other at Dad’s occasionally and she was always sweet to him, and he loved her as well.  Big teeth and all.

Image

Some of my musical genes came from Aunt Martha as well.  She had a lovely soprano voice that I loved listening to when we would gather around the piano after Christmas Eve supper, harmonizing out of the ancient hymnbooks that lived in Mama’s piano bench.  Her voice singing songs like “Ivory Palaces” and “Sunrise Tomorrow” echoes through my memory.  She wanted to take voice lessons but Granddad would not allow her to, so to spite him, she quit high school before graduating.  When I graduated from college with a degree in voice, she wrote in the card she sent me that she was proud of me and doubly proud of my majoring in music.  Maybe she lived out a piece of her dream through me.  I hope so.

Image

She and I always seemed to be kindred spirits and we spent a lot of time together throughout my life.  I spent many nights at her house as a child and teenager.  There were the Friday night TV shows we both loved watching and the trips to the Pixie Drive-In for onion rings and milkshakes.  There was the favorite housecoat I wore when I was there and the stash of “feminine supplies” she kept on hand for when I visited.  (She was always very compassionate about cramps.)

She was a meticulous quilter, her stitches so tiny, close together and uniformly spaced that even a machine couldn’t have done better work.  It seemed like there was always a quilt up on frames in her basement.  Countless nights I would go with Mama, Aunt Ruby and Mrs. Allred to Aunt Martha’s house.  They would work on whatever quilt was in the frames until they couldn’t see straight anymore, drinking tea and Cokes, telling stories and laughing.  ALWAYS laughing.  And even though I wasn’t helping them, they included me.  I didn’t sew then and I don’t really sew now.  But when I concentrate, I can do decent hand work.  I wish now that I had pulled up a chair with them around the frames.  I suspect that I would have learned much more than how to stitch.

Christmas Eve 1994, I presented her with a special little gift.  I had found a picture of her and me together with Susie, the one from earlier in this post.  I set about shopping for the right frame for it and ended up choosing a beautiful silver frame with a heart-shaped opening that fit the photo perfectly. It was like it had been made to hold that very photograph.  I placed the picture inside and gave it to her that Christmas.  The picture below is of her opening that gift as I looked on.  Her expression is priceless.

Image

I think my penchant for collecting things comes from her as well.  She collected all sorts of things.  Cartoon character glasses and figurines from fast-food places, Beanie Babies, state quarters and California Raisins.  Little things like that gave her huge pleasure.  She also really enjoyed jewelry and sparkly things, another trait I inherited.  She was gone before I bought the Original Kissy Shirt, but I know she would have loved it, because it is funny and splashy…much like she was.  She would approve of the new smaller Kissy Shirt as well, although the weight loss surgery I had and the shrinking process that made the smaller shirt necessary would have worried her to death.

Image

I miss her all the time, just like I miss the rest of them.  I imagine that her house in Heaven has quilting frames and that she and Mama, Aunt Ruby and Mrs. Allred are reunited there from time to time, working on a quilt for the next family member who arrives there, a warm covering for the bed in their mansion.  When I go to meet them, I will have sense enough to pull up a chair and join them around the frames.

Nine Diamond

Standard

A quilting memory

 

Nine Diamond

The quilt patterns have all kinds of names
Dutch Doll and Dresden Plate
Flower Garden and 

Nine Diamond 

which I never understood because it was squares

I have a Southern Belle made out of Granny’s dresses

When I was little I watched my Granny sew
Little colored squares into
Bright patchwork patterns
On her aproned lap

Many nights I stayed up late
Talking, listening and laughing
With Mama and her sisters
As they sat in straight-backed chairs around the frames

Nimbly stitching through layers of gingham and calico
All the while
Sharing themselves with each other
And with me

“Measure twice, cut once, and
Don‘t be using your good scissors for anything else!
A number 7 needle is what you want to use, the kind
With the gold eye, if you can find them.
And don’t forget your thimble, it’ll save your fingers!”

Still, a thimble would eventually wear through and
That number 7 needle would prick a finger
Leaving a little blood-spot behind
Like a scar on the fabric

Sometimes the scar is what makes a thing
Most beautiful

 

Image

 

 Image

Image

Image

Image