Tag Archives: Knoxville Choral Society

A Place For Me


Faith formation, hospitality and being included

Last weekend I was blessed to participate in a once-in-a-lifetime event.  Through a series of music and church connections, I “wrangled” an invitation to sing in the Diocesan choir for the Dedication Mass of the Cathedral of the Most Sacred Heart of Jesus in Knoxville, Tennessee.  Ground was broken for this space 3 years ago, the Cathedral for the Diocese of Knoxville, a diocese which was established in May, 1988 by Pope John Paul II.

I am not Roman Catholic, but I think I understand the momentous nature of an occasion like this, which makes me doubly grateful for the privilege of participating.  Glenn, the director of the music, not only allowed me to sing, but welcomed me.  His welcome took me back to my childhood when I was so often welcomed by other people of the Catholic faith.

About halfway down Ford Street lived Beth Sedgwick and her daughter, Mary Lim.  These sweet ladies were devout Catholics, wonderful neighbors who welcomed me in to visit whenever I popped by after school, or earlier in the day if it was summertime, always unannounced.  Usually with a dog in tow, I’d knock on their massive front door, and Mary Lim, long ago paralyzed in a car crash, would usually roll to the door in her wheelchair and let us in, laughing as the dog jumped up to give her kisses.  I began visiting them with my brother Reed at first, then later on after he got busy and I got a little bigger, I would go and visit them on my own…except when a dog accompanied me, of course.

They would usually be sitting at their dining room table, with the newspaper, needlework, decks of cards and crossword puzzles, and there was always a place open for me.  These women taught me about praying the rosary when I asked what “those pretty beads” were, although I have long since forgotten how to do it.  There was lovely religious artwork throughout their home, and anytime I asked about a picture or a crucifix, they patiently explained its meaning to me, knowing that I and my parents were Christian, but not Roman Catholic, and there were elements in their artwork that I didn’t understand.  Mostly, though, they taught me about their faith—-and about my own—- simply by welcoming me in.

Flash forward nearly 4 decades, after our little neighborhood was replaced by the South Knoxville bridge, the Sedgwicks had long since passed away and much life had happened for the rest of us.  I found myself surrounded by the glorious space of this new Cathedral, many unfamiliar faces, and a small group of friends from both Knoxville Choral Society and Ebenezer United Methodist Church who helped make it possible for me to witness this dedication and participate in it.  Enveloped by music, warmth and the fragrance of incense, I felt Mrs. Sedgwick and Mary Lim with me, swelling with the solemn joy they would have felt to see this new space dedicated and the Diocese united in both humility and celebration.

I am not Roman Catholic…but because I sing, there was, once again, a place for me.





Longtime friendship, faith and music…

As an incoming college freshman in the fall of 1982, I was meeting tons of new people and enjoying the process of finding my place in what was essentially a new world.  I realized quickly that some of these new people would be acquaintances with whom I’d share the occasional class, some would become close friends throughout the 4 years of school…and some would remain in my life for the rest of my life.  Then there were the few who came into my life, vanished from it and reappeared years later.

Marc was one of that last category of people.  We met as freshmen at Carson-Newman College (now University) and, as we were both music majors, we had a number of classes together.  I liked this fellow right away. His boyish good looks, beautiful tenor voice, easy smile and sweet spirit drew me to him immediately and we became fast friends.  Spring semester found us both singing in A Cappella Choir and sharing long hours on the bus together as we toured during spring break.

He decided the following year to change schools, and we lost touch after that.  I often joke that he “abandoned” me, (which always gets an eye-roll and a quick retort!) but I realized he was following God’s path for him, just as I followed mine by remaining where I was.  I thought of him so often in the years that followed…but I never followed through on trying to find him.

Flash forward to 2011, the beginning of the season for Knoxville Choral Society.  I was talking with my friend Tina and heard the name “Marc” and asked what Marc and where?  She pointed in his direction, I turned, and he and I both looked in shock at one another, recognizing long-lost faces and voices and yelling, “YOU!”  And pointing at each other like we were school children.  Hugs and laughs and stories followed…and the reconnection was forged.

He started singing at Messiah Lutheran the year before I did, and after I joined him there, we were blessed to sing in the choirs together, and to join our voices on many duets.  Our voices blend in a way that I can only describe as magical…and together, we have been able to create and enjoy some truly memorable moments.  When we sing and things are working right, the joy I feel is almost overwhelming.  He left Messiah and went to Ebenezer United Methodist, where I ended up accepting a call a couple of years later (I fear he will tire of me “following” him from church to church!)  And there, too, we have shared duets and delights, and I hope those continue for a long time to come.

Musicians are people first, and as such, we bring our issues with us every time we sing.  Sometimes those things keep us from achieving our musical and spiritual best. And sometimes, for lack of a  better description, we are blessed to be able to “sing them out”, experiencing catharsis, cleansing and healing.  Those moments, I believe, are little glimpses of Heaven on Earth…and I am so grateful to be able to share them with Marc in a way that only the two of us can fully comprehend.

Today, on Marc’s birthday, I share this thumbnail sketch of him, our friendship,  and our partnership in music and in faith.  And I share some pictures from the last few years, a little sad that there are none of us together from our college days. But I am so grateful for the renewed connection with him, my partner in crime…and in duets.





The ones we wear, and the ones that wear us…

Every year shortly before Christmas, my chorus, The Knoxville Choral Society, collaborates with The Knoxville Symphony Orchestra for The Clayton Holiday Concerts, a Christmas tradition in our area for some 30 years and counting.  Concert week is hectic, with late night rehearsals and, for those of us with day jobs, work as usual and 4 shows over 3 days that weekend.  It’s a grueling, exhilarating and fun time of camaraderie for all of us.

Backstage at the venue a few years ago I took the time to pay closer attention to my surroundings than I had in the past.  Among the many quirky artifacts I noticed were numerous hats hung up on a wall.  I assume many of them are costume pieces from theatrical productions held there over the years, although some may be actual hats from firemen, soldiers, ball players and other professionals who wanted to leave their mark backstage.

Hats were invented to provide warmth, shelter and protection from the elements.  Over time they became fashion statements as well as parts of the unform for various professions.  Designs also vary from place to place and culture to culture, both for professional and decorative headwear.


In the Stone Age when I was setting up my social media profile, I gave a thumbnail sketch of my life and the roles I play…the hats I wear.


No one among us is just one thing, after all.  We all wear many different hats, filling roles as life circumstances call us to do.  Switching from one hat to the next sometimes feels frantic, as we shift among our various roles and responsibilities.  We juggle so many activities and demands from day to day, sometimes from hour to hour.  Some of the hats we wear weigh heavily on our heads, our hearts, as we face hard choices, regarding our health or the health of a loved one.  Sometimes a hat may feel too tight, if we are in a job or a relationship that doesn’t fit us.  Sometimes the hat just doesn’t flatter us or bring out the most attractive qualities in us.  Sometimes it even feels as though, rather than us wearing the hat, the hat wears us.  You get the idea.

We hope to craft for ourselves a life that works, with hats that fit, flatter and feel good.  I hope the hats you wear today sit lightly and comfortably upon you, bringing out your best and giving you warmth, protection and shelter from life’s storms.  (And it doesn’t hurt if they’re cute, too!)




Sometimes the sweetest gifts are free…

Readers of this blog know that I collect feathers, and I have for several years.  I don’t remember how I got started with it, but at some point I saw a pretty feather someplace and decided to pick it up and take it with me.  For the longest time I simply stuck them into my Bible or other books I was reading, and many of my books still contain feathers.  I came across one the other day and it both surprised and delighted me.  I hope the people who inherit my books someday will have the same reaction.

Larger feathers, or ones from trips or momentous occasions, I have laminated on pretty paper or photographs with a description of when and where I found them and why they are special.  These make wonderful bookmarks as well.  I have also included them in notes or little presents to people, taping a small feather to a letter or the inside of a book.

Several people have spotted feathers and photographed them for me, sending the pictures via e-mail or on social media.  Those are always nice surprises and they tickle me to pieces.  And a few people have found feathers, picked them up and saved them to give to me when we saw each other next.  A couple of these “feather presents” came earlier in the summer, just a couple of days apart.  My friend Ann Rita is an avid hiker, and on one of her excursions she found a gorgeous dark-brown-and-white striped feather and picked it up to bring to me at church.  It is gorgeous and unique, and sturdy enough to use as a writing instrument like they did in the olden days.  Just a couple of days after that, I met my friend Marc to practice music and he said he had a surprise for me.  He had found an enormous, shiny black feather and saved it to bring me because he knew I collected them.

A couple of years ago my cousin Judy sent me one tucked inside the pages of a magazine featuring Alton Brown, my favorite food personality (and nerd crush!).  Rebecca and Karen, friends I have sung with in Knoxville Choral Society, have also contributed to my collection.  Rebecca brought me a huge, HUGE turkey feather from a trip to North Carolina.  Karen’s property has geese and she gathered a baggie full of soft grey feathers and brought them to me at rehearsal one night.

Most recently, my sweet husband Jeff was outside our house and something caught his eye.  It turned out to be a blue jay feather, with black stripes and a white tip.  It’s unlike anything else in my collection, and he could easily have just left it on the ground where it had landed.  He found it on the 3rd anniversary of my last visit with Aunt Ruby before her stroke.  I hugged him so hard I think it surprised him!  And I may or may not have cried in private a little later on for that precious gift from God letting me know that Aunt Ruby is indeed with Him.

Any time someone sends me a feather picture, or actually picks one up to give to me, I am amazed at their thoughtfulness in doing so.  For that moment, a person remembered me, and chose to let me KNOW that they remembered me.  That in itself is a gift, just as much (or even more sometimes) than something purchased with money.

Thoughtful gifts don’t need to be expensive…and expensive gifts aren’t always Thoughtful.




Keeping The Luster Alive


Recollections of a radiant soul…

Yesterday I, and an army of my friends and musical colleagues, learned that our friend and fellow musician, Luster William “Bill” Brewer, had died.  Following the initial impact of this news, there was a flurry of text messages, e-mails and posts on social media.  My own Facebook page exploded with tributes, expressions of sadness, shock and later on, many pictures of our friend from healthier days gone by.

Bill had been diagnosed with throat cancer about a year and a half ago.  As a singer myself, I cannot fathom the horror of such a thing.  Throughout his treatment, he continued to teach at Pellissippi State Community College, where he had found a home as the head of their music department for the last 15 years.  Just last week, after his cancer had returned and he had undergone another treatment, he had gone on a tour of Portugal with his choir, having been medically cleared to travel, but not well when the trip started.  He had to return home before the tour was finished, going into the hospital where he eventually died.

It was typical Bill to have gone on with his students even though he was ill.  He loved making music and he especially loved the people he made music with, students and peers alike.  He was a longtime fixture in Knoxville Choral Society and Chamber Chorale, having served as KCS President and director of Chorale for a number of years.

It was in this capacity that I got to know him.  In 2009, after an 11-year absence, I re-auditioned for Knoxville Choral Society with great fear and trembling.  I had hardly sung at all in those years and I was afraid my voice might be so far gone that there was no hope of recovery.  Enter Bill Brewer, who heard my audition and not only recommended my re-admission to the chorus but chose me as a soloist for the Christmas portion of Handel’s “Messiah” which we performed that fall.


He was thrilled to conduct “Messiah” with KCS for the first time and wanted his score and baton in the picture I asked for with him.  (The remainder of the program was Bach, which “Doc” Eric Thorson prepared, conducted and chose his soloists for.)

Following my weight loss surgery in June 2012, I experienced a lot more pain during recovery and for a longer time than I had expected, so I missed some early outings with chamber chorale as they performed portions of “Chronicles of Blue and Gray” in advance of its world premiere that November.  I e-mailed Bill explaining my situation and told him that if he needed to replace me in chorale, I would totally understand.  He was gracious and kind, telling me that when I was able to return my spot would be waiting for me.

And what a return it was!  The first rehearsal for the whole chorus arrived, and I got to the church where we practice feeling insecure about my appearance, wondering if the pounds I had lost since surgery would be noticeable.  I looked and felt peaked and pale and…vulnerable.  When I walked into the vestibule there were a dozen or so of my fellow chorus members milling around, paying dues and purchasing music.  And there was Bill, who squealed at my arrival and began a round of applause, making it a triumphal entry for me.  He came over to hug me, and then very tenderly cupped my face in his hands, saying, “Oh, LOOK at you!  Look at your little face!  How do you feel?”

That was always Bill, caring about the other person.  He was a Southern gentleman in the finest tradition, dedicated to Jesus, to his wife Sharon and to the music and musicians he loved so greatly.  He was also a total goofball, with a mischievous sense of humor, a twinkle in his eye and a laugh that could crack glass.

We have all heard the question, “What’s in a name?”.  Bill’s given name was Luster William, Luster after his father.  In Bill’s case, he indeed possessed a luster, a glow and radiance of heart and soul from which everyone who ever met him benefited.  I want to keep the Luster alive, remembering Bill, his laugh, the music we made together and his tender touch cradling my face in his hands.

Suspended Animation


When stillness happens…

I live in Knoxville, Tennessee.  Dixie, The Buckle of The Bible Belt.  This is The South.  We get the occasional snowfall here, but we are not used to ice.

But here we are, iced in due to a winter storm that dumped sleety frozen pellets on us this past Monday and now is dropping snow on top of the ice.  Record low temperatures are predicted for tomorrow night and much of the city has come to a halt.  Many schools are closed as well as a number of businesses.

I ventured out last evening for a rehearsal with Knoxville Choral Society, as we have concerts scheduled this week with the Knoxville Symphony Orchestra, and if at all possible, the show must go on.  The roads at that time were not any trouble to navigate.  My only issues were getting the ice chiseled off my car and eventually getting the door to my fuel tank un-frozen.  It was good preparation for returning to work today.

Monday I was not scheduled to work, and Sweet Pea was sent home early from his job.  It was wonderful to be tucked in safely at home with husband and dog, snuggled under blankets watching TV.  For those few hours, there was no place anyone had to be.

There is a quiet sweetness in moments like these; it almost feels as though time has slowed and the world is in a state of suspended animation.  I know that it can’t last forever.  The quietness eventually gives way to the return of noise and activity, and I have to emerge from the cocoon of icy stillness.






Pie Jesu…Blessed Jesus


Faure’, John Rutter, Mama, Doc and me…

I can hardly believe that it’s been almost 30 years since British composer John Rutter was on campus at Carson-Newman for a choral workshop to introduce his English-language edition of Gabriel Faure’s Requiem.  I was a junior, my junior voice recital was that same week, and I had the distinct honor of singing the soprano solo for the performance of the Requiem, under Rutter’s baton.


I was in such a twitch in the weeks prior to the workshop and my recital, I don’t think I fully grasped the magnitude of the event at the time.  One of my professors told me later that she couldn’t believe I got through that week still standing.  Looking back, I realize it was by the grace of God and lots of caffeine!



(Me singing the soprano solo in the Requiem, John Rutter conducting, February, 1985.)

That week was not my first experience with the Faure’ Requiem.  I had performed it in high school with Knoxville’s All-City High School Chorus.  The soloists were adults Dr. Gerald Ballard, the director, had brought in for the concert.  Dr. Ballard had been my Mama’s high school chorus teacher at the old South High School some 25 years earlier, so I knew him at first only through Mama’s recollections of him.  I later borrowed his Requiem score so I could have the Pie Jesu for scholarship auditions.  I misplaced it and then forgot about it until it surfaced some years later. I value it as a prized possession now, and pray that my inadvertent theft can be forgiven.



The workshop/performance at Carson-Newman was a highlight of my musical life.  Singing a solo with John Rutter conducting was a once-in-a-lifetime experience that I will always remember.  “Doc” Eric Thorson had just the year before taken the reins of A Cappella Choir at school, and it was his responsibility to prepare us for Rutter’s arrival.  He told us that Rutter, being an Englishman, might be a more reserved conductor than we were used to, and to pay close attention to what could be very subtle cues from him.  As it turned out, John Rutter was a whirling dervish of a conductor, with flailing arms and an outgoing manner.


(Rehearsal with John Rutter–I am the shortest one on the front row.  Some things never change.)

Flash forward to February, 1998, when once again I had the privilege of singing the soprano solo in the Faure’ Requiem, this time under Doc’s direction with Knoxville Choral Society.  My sweet-and-spicy Mama had died just a couple of months before, and looking back, I don’t remember what I was thinking auditioning for the solo that time except that I might not be in any shape to sing it.  Little did I know the gift God was about to give me.

Almost 13 years exactly from the time I sang it at school, I sang it once more.  The music itself was the same…but my understanding and experience of it were completely different.  Still very much in grief throes from Mama’s death, the text of the whole mass spoke to me afresh, particularly the words of the soprano solo movement, Pie Jesu.

“Pie Jesu, Domine,

dona eis requiem,

dona Domine, dona eis requiem,

sempiternam requiem.”

Blessed Jesus, Lord God,

grant them rest.

Grant them, Lord God, rest,

eternal rest.

At the end of Mama’s illness, she had suffered so much and was so tired. I told her that if she was ready and needed to go on, it was OK.  In my family experience and work with hospice, I’ve learned that it is important to give the patient permission to go; it can give them peace at the end of life.  My spiritual life during the end of Mama’s sickness was a bleak period when prayers didn’t happen so much as just anguished groans of my heart.  Had I been able to actually pray, it would have been for her suffering to end, for peace…for rest.

She died, and her rest finally came.  Standing on that stage at The Tennessee Theatre singing Pie Jesu once again, Faure’s music spoke peace to me as I took another step in my grief journey.  This is the power of Music…the power to heal, comfort, and transform our pain into something of beauty.

Meditating On These Things


Appreciating excellence…

It is 2:30 am on Christmas Eve 2014 as I write this.  My day began with me asking a friend with whom I had lunch plans for a raincheck, because I got up with a thundering migraine.  My body was finally rebelling against me for the week I had put it through!

Last week Knoxville Choral Society and The Knoxville Symphony Orchestra once again collaborated with several other ensembles for the annual Clayton Holiday Concerts.  They traditionally take place the last weekend before Christmas, and the week leading up to them has us all rehearsing every night except Wednesday, pulling late hours and, for those of us who work day jobs, rising at our normal times to get to work.  The week is grueling and exhausting, culminating in 4 concerts over 3 days…but for me, and for many others, it gives us much more than it takes from us.  For some people, it is the thing that finally puts us into the Christmas spirit.

This year’s concerts were also the final holiday outings with the KSO’s outgoing conductor, Maestro Lucas Richman, so there were poignant memories of concerts past, appeciation expressed for the collaboration between the KSO and KCS and, as is my tradition, pictures and brief conversations with the maestro.  This year was  doubly sweet for me because my cousin Katherine shared the stage with us as a member of the Webb Madrigal Singers.  I was thrilled to share a stage with Katherine and her talented friends, and even more thrilled to have the chance to introduce her to the maestro before he leaves the KSO.  I had my friend Elizabeth snap their picture together with the hope that it’s a weekend that Katherine will always remember.  (The picture below was made at supper between Saturday shows.)


In conversations on social media and in person, many of us said that we are going to miss the maestro, and he expressed his gratitude for our words.  I had the chance to tell him that I don’t “sling praise around much, but when I see excellence in my life, I do appreciate it.”  And yes, I said it with just those words.  Maestro knows by now that I am a goofball and “what you see is what you get” with me.  Mama passed along her gift for colorful communication to me (for better or for worse, I’m afraid!).

Thre is so much mediocrity in the world, and I am as guilty as anyone of not always striving to attain my full potential in every area of my life.  I like to believe that I give my best effort to everything I do, but I know better.  And even on days when I give my best, that “best” is often not very good.  In music and in life, I need to meditate on those things that are good, noble, praiseworthy…and to give thanks to, and for, the people who remind me what excellence looks like.





The Mystic Chords Of Memory


Music, moments and bringing Mama along…

I have just returned from what can only be described as the adventure of a lifetime.  Knoxville Choral Society took a group of singers to New York City to premiere local composer John Purifoy’s “Chronicles of Blue and Gray” at Carnegie Hall!  We met up with several other choruses from around the United States to rehearse for a couple of days and gel ourselves into a unified chorus to perform this masterpiece, the first major work of its kind in choral literature in that it commemorates the Civil War period of American history.  Knoxville Choral Society commissioned this work in honor of our esteemed conductor and artistic director, Dr. Eric “Doc” Thorson.  Without him, and the desire of so many people to honor him, this work would not exist and our Carnegie Hall pilgrimage to premiere it for the New York audience likely would never have happened.  John Purifoy’s labor of love in crafting this poignant and moving work has touched many people and I pray that it will touch many more for generations to come.  It deserves to be heard my as many people, in as many places, as possible.

There are so many moments from the trip that I will always remember, the first being a “wow” moment in my ongoing weight loss journey.  For the first time ever, I flew in planes where the seat belts not only fit around me but had room to spare.  As large as I was, for as long as I was, this was a huge relief.


I made the acquaintance of a number of our singers I did not know before (and who are now Facebook friends as well, so we can continue getting to know one another better).  I am short, so I generally sit down front and don’t see a lot of the people behind me. That will change when we start back for the fall.  I will venture out of my section more and try to be more social.  And several people I knew casually became wonderful friends on this trip.  My friends Jenny and Jere graciously welcomed me on their pilgrimage to St. Patrick’s Cathedral, my one for-sure bucket list item. As we walked around that magnificent place, I was astonished at the beauty even amid all the scaffolding there right now for renovation.  And my friends stood by as I lit a candle and offered a prayer in that sacred space.  We stayed for mass as well, my first Roman Catholic mass ever.  And at St. Patrick’s to boot!  Even a sarcastic varmint like me can find holiness in a place like that, and since it was our first night there, it helped to set the tone for the rest of the trip for me.


I serve as Chapter Mother for Alpha Gamma Chapter of Delta Omicron International Music Fraternity at  Carson-Newman University, my alma mater and the chapter I was initiated into as a college student.  Two of my Delta Omicron students made the trip with us. Katie Brown and her mother came and sang, and it did my heart good to see a mother and daughter joining together for this experience, even as I missed my own precious Mama.  Katie Jo O’Neal came as well and I had the pleasure of sharing a hotel room with her.  She and I really had the chance to get to know each other, for which I will forever be grateful.  We are goofball kindred spirits, bonded together by music, faith and humor.  Seeing young musicians grow and stretch makes my heart swell with pride.


(Katie Jo, me and Katie Brown—I’m the filling in the middle of a Katie sandwich and it’s awesome!)

Katie Jo and I shared a room with Rebecca, a lovely woman who was a pleasure to get to know.  She and I shared some wonderful, meaningful talks in the evenings while Katie Jo was still out and about town.  We more “mature” ladies tended to return to the room earlier to settle in for the night!  Also, we need to take “selfie” lessons from Katie Jo, the undisputed master of the art form!


(Selfie fail with Rebecca)


(The Roomies)


Another mother-daughter team made the trip as well, my friend “Queen” Elizabeth Partridge and her sweet Mama, Susan.  Susan did not sing with us but she enjoyed the trip plenty, sightseeing, shopping and graciously sharing a couple of meals and a lovely carriage ride around Central Park.  It was so sweet to see their relationship, and it made me wonder what mine would be like with Mama if she were still here.  I’d like to think we would get along as well as Elizabeth and Susan do.  It was generous of Elizabeth to share her Mama with us.


(Elizabeth, Susan, Katie Jo and me)


(Queen Elizabeth and Queen Mother Susan)

Elizabeth has lost a significant amount of weight in the last year as well, and another bucket list thing I wanted to do was get all dolled up in our Bombshell dresses and have a night out for dessert.  (I know, it’s paradoxical.  Don’t judge me.)  A little treat now and then is not only OK, it’s necessary.  We were completely overdressed, but we went to Junior’s Cheesecakes for dessert and sashayed in like we owned the place.  Dessert was delicious and the company was delightful!  Afterward we walked around, shopping and taking in the sights, sounds and aromas of the Theatre DIstrict and Hell’s Kitchen.  We both enjoyed playing dress-up and, if I do say so myself, we cleaned up pretty well.  And another “wow” moment was that we walked around for about an hour and a half, and I was wearing heels! Before surgery and weight loss, that would have been unthinkable.


I shared a story with John, the composer, when the idea of a trip to Carnegie Hall was just being discussed, over a year ago.  Back when Mama was still with us, Knoxville Choral Society talked about a very slim chance of taking a trip there.  When I mentioned it to Mama, she was over the moon with excitement.  She said, “If you all take a group up there, you HAVE GOT to go!  Daddy and I will help you pay for the trip, whatever needs to happen, if you have a chance to go to Carnegie Hall, you’ve got to do it!”  That trip ended up never happening.  In the ensuing years Mama became ill and died, I let singing go for many years and that dream was all but forgotten.  

Flash forward 20-some years to now, when I finally made it to Carnegie Hall.  I told John and numerous other people I’d be bringing Mama with me the only way I could—her picture in my folder as I sang.  I carried her and others along as well: Sweet Pea and Our Boy Roy, Aunt Ruby, “Doc”, who for several reasons did not make the trip with us, and Dr. Teague, my college voice teacher.  But Mama was the one who held the Carnegie Hall dream in her heart.  We finally made it.  

On concert day, John and I spoke before we entered the hall and he reminded me of my story and asked to see Mama’s picture.  I was humbled that he remembered such a detail on what had to be one of the most monumental days of his life!  And I was proud to show him my folder and all the people I brought along.




Mama was with me.  She is always with me.  We are indeed surrounded by “so great a cloud of witnesses”, as John and I reminded each other before the concert.  Mothers and daughters, the ones together on Earth and the ones separated briefly between here and Heaven…musicians past, present and future…the bonds of faith…the melody of music and the harmony of humor…the mystic chords of memory.